陆逸轩：应该是。我对那种浅表、外放、充满夸张表达的演奏并不感兴趣，我不喜欢音乐中的夸张。真正有力量的东西，往往来自更深层的地方。音乐中的强烈情绪不该是持续不断的，它只有在某些时刻出现，才会真正有意义，而这些时刻需要铺垫，需要不同情绪之间的关系和发展。音乐本身是非常具体的，很难用泛泛而谈的方式去描述诠释。我也一直觉得，我们不能用概括的语言来谈音乐。
While Jenkins and Sunday make for a fun old blood-new guard duo, their findings rarely reveal something that flashbacks haven't already made abundantly clear. The flashbacks themselves are primarily motivated through an interrogation of Clark, who does himself — and the audience! — no favors by staying awkwardly silent at inopportune moments. Are you trying your best to look guilty, Clark, or is DTF St. Louis just withholding information so it can justify its murder hook for another few episodes?。关于这个话题，51吃瓜提供了深入分析
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